Showing posts with label The Learning Curve. Show all posts
Showing posts with label The Learning Curve. Show all posts

Saturday, October 3, 2009

A Difference A Year Can Make


I'm in editing mode at the moment so I'm a little introspective. I'm also a little wild-eyed because the story I'm working on is a year old. Remember when I said look at older works? I do practice what I preach.

So in the past 365 days I've learned how to show instead of tell. I'm still not perfect at this, but as I said, I've gotten better. I would like to think my stories are more tangible now that I try to breathe more life into the passages.

For example:

Original Sentence:

She smiled again, more from the warm feeling the alcohol gave her than because of his appearance—at least that’s what she told herself.


Edited Sentence:

She smiled again, more from the warmth flooding through her body, filled at the moment with alcohol, than his appearance—at least that’s what she told herself.


I'm not going to win a Pulitzer Prize for this sentence, and though the change is subtle it has a better impact. I'm describing exactly how the alcohol is skewing her perspective. When I read the original I noted I'd used the word "feel" a dead ringer for when you are telling instead of showing. I should mention I went over this story at least three times last year. I never saw this sentence as a problem. Funny, even now I'm looking at it to see if I can re-word for clarity.

Here's another example.

Original Paragraphs (sentences really):

She got up and made her way to Janice’s office. Janice was shuffling some papers when Hazel entered.


Edited Paragraphs:

Hazel stepped out of her office to find the hub of the company in it's usual state of chaos. The room curved in a semi-circle and the view from the second floor always made her dizzy, not from the height, but of the constant movement below.

The people who made this company work didn't get a moments rest. Phones were always ringing, someone was usually running in or out, and the big boss could step out of her office at any moment to watch. The tension in her neck spread down to her shoulders. She closed her eyes a moment to calm down, but couldn't, not with the constant noise.

She gave up and turned into Janice's office. Her boss was shuffling some papers on her desk when Hazel entered.


Now these passages involve more than describing to the reader where she works. Since I'm fond of lists...

1. The obvious, I'm showing the reader where she works. Instead of an disembodied trek to the Janice's office.

2. It's a busy place and not what someone would call a peaceful place to work.

3. For some reason just standing there puts tension in the heroine's neck.

4. Word choice is an amazing thing. You can create a certain feeling with just the words you use to describe something. "constant movement below" vs. "busy"; "a moment's rest" vs. "full work schedule"; and the one I wanted to convey the most since the heroine is about to go into Janice's office "big boss" vs "the boss, nice boss, Janice."

Going through this book has helped me reevaluate my editing process. I've been looking for any spots in this ms to see when I've missed an opportunity to make it better.

So, the moral of this posts: Watch out for missed opportunities for description, character develop, awkward sentences and telling cues *the five sense: see, feel, hear, touch, smell*. The most important moral is to never stop learning how to write better. If this old dog can learn new tricks and have them stick, then there is hope for everyone. (Trust me, I'm a sssslllllooooowwwww learner.)

Friday, July 17, 2009

Career-Minded: What does it really mean?, Part 2

If you haven't read the first part of this post, you can find it below.

I left off asking an ambigious question(s). That was my point. Success is in the eye of the beholder. Some qualities of a successful author is universal. Some are not. Each journey is different.

Yet these are the five things I saw when I sat back to look at the successful authors around me:

1. Most, if not all, had a fan base.

2. That fan base came from them writing several books.

3. Those books tended to fall into the same genre for a while.

4. They knew about the industry. If they didn't know they knew where to look.

5. They talked about writing as if it had split personalities--writing and Publishing.

There's more to this list, but I think these are the important ones. At least in my journey at the moment. Some of these may be instinctive for you. Like writing in the same genre. You love paranormal, so you write it and only that. You love historicals, so you write it and only that. *please refer to my last blog post to see how many different books I've written.*

The importance of separating writing (the creative act) and publishing(the business side of writing) cannot be stressed enough. I’ve found it easier to write when the door (the business, editors, agents, what my readers will like/dislike) is closed. I’m not alone in this. Matter of fact, Stephen King said in his On Writing how to- the first reader you have to please is you.

But, once you open that door, all bets are off. You need to open that door and think of your book as a product. That’s the purpose of the query and the synopsis. These are the tools you use to say, “Hey, this is why this book is great and you CAN sell it.” It becomes instinctive to think of your book in genre, word count, and the hook when you switch off the creative side. Don’t fool yourself into thinking this isn’t the business side.

Anyway, this revelation made me sit back and re-think what I was doing and how I was acting. I want to be the author in example number one. I want to have a career as a writer. That's going to take work, but I'm already half-way there. I have whimsy goals that need to be ironed-out and made into an actual plan. I need to stop being a slave to my muse. She can be all flighty only because she doesn't pay rent. And, I'm egotistical. Yes, I said it out loud. I want a fan base. One that doesn't consist of just my parents.

I was writing whatever came to me and submitting it. It never crossed my mind that once I sold *insert genre* that my publisher would expect more *insert genre* My mind jumped straight to the romantic suspense I wrote. I barely made it through that story and then I would have to write more than one? *Cue heart palpations* Now *insert whatever you aren't being business-minded about* and let it settle over you for a moment. Did you just have a few palpatations of your own?

Welcome to the club!

What type of author are you? What type of author do you want to be? If you want to tell me where I can put this post that's ok. The line is on the left, and the comment section is on the bottom.

*You can find more snark from me on my website: http://melissablue.net*

~Melissa Blue and I'm out~

Thursday, July 16, 2009

Career-Minded: What Does it really mean?


I might ruffle a few feathers, but that's okay. I'm a rebel at heart. "Career-minded" If you haven't been under a rock for the past eight months you've read this term in the RWR's Letter from the President. You've seen or heard a few authors head explode when it's mentioned. The President has her own definition for this that I won't get into. I'd rather give it my own spin, because I need to watch my blood pressure.

Overall, the meaning, for me, is that there are two kinds of authors:

1. An author who wants to make writing a career. They make a goal each year to complete a certain number of manuscripts. (Could just be one. Could be 18 months to finish one, but the goal is there.) They study the market. They study the craft. They network. They are in this business for the long-run. They know that once they are published none of the above stops. It only gets harder. It only makes the next level more important. Be it, writing more books a year. Teaching classes. Enrolling in more workshops dedicated to the industry or craft. Getting a support group to help through those tough times.

2. An author who enjoys writing just because it allows them to express themselves creatively.

Note: One type of author isn't better than the other.

The important point is to know which one you are. If you are not falling under the one you prefer then you need to re-evaluate what you can change. I have to admit even after my first book sold, I was still number two. I didn't think past the first sell. I'm a craft junkie so signing up for workshops or being a part of a craft-based forum wasn't a hardship.

But, you had to put a gun to my head to read about the industry. For me, writing was a creative activity and I didn't want to dirty the experience by learning too much about the industry. But then I started to look at the successful authors around me. I came up with five things...

I'm going to break this post up into two parts. I'll be back tomorrow. Tell me what you think so far. What are five things you believe every successful authors has? Do you think of qualities? Do you think it's a mindset? Or do you think it's something they do?

Friday, March 20, 2009

The Learning Curve by Sarah Simas

I’ve been a new wife, a new mom and now a new writer. Each time, I had the bone-headed idea learning curves didn‘t apply to me.

Although my days as a “new” wife are long gone, my husband won’t let me forget the horrid Three Mustard Chicken I cooked our dog even refused to eat. Lucky for me, he didn’t channel the male species’ innate sense of self-preservation. Had he declared me the next Paula Deen, I wouldn’t have forced myself to open Betty Crocker’s Bridal Edition Cookbook.

Obviously, Betty knew husbands were out there starving to death.

Now I can cook most anything. I’ve yet to see him take a bite and go running for the sink with his hand over his mouth!

When I had kids … well, let’s just say I’m flabbergasted the nurse let me leave the hospital, much less, waved as I drove off with a defenseless baby. I’m sure every time I called the pediatrician, his nurses fought over who’d have to take the “Crazy Lady’s” call. Yet after three years, I feel confident, safe even, being locked inside a house ALONE with three toddlers.

Then I decided to write a romance novel. I’ve read the darn books for years, which is the same as experience, right? I even practiced my signature in preparation for my future book signings. Wanting an adoring fan club, I joined a writer’s group, knowing I’d be hailed a literary genius.

I’m fairly certain my face mirrored the same look of shocked horror I wore when I saw my hubby gagging on his mustard chicken. Yikes! My pages bled! I was afraid I’d leave a trail of red ink out the door.

Was I shocked? Yes.

Did my disappointment keep me from moving forward? No.

Instead, I refused to give up. I asked questions and took notes. I latched on like a barnacle to writers who were willing to show me the ropes. Now seven months later, I no longer write with my head in the clouds or in the 1980s.

I’ve learned things like the importance of word choice and sentence structure. By not giving in to my fears, I’m a lot closer to achieving my goals. I belong to two writers' groups and can’t believe how much my writing has improved. My continued progress keeps me motivated. I’m going to savor the feeling of writing “The End” as much as the day I got my son to sleep through the night.

So join a group! Get out there!

I’ll be just as grateful to the woman who told me my son’s desire to eat dirt was just a phase as I’ll be to the people who said stop worrying and just write the book. Yes, I’m still learning, but I’m enjoying the ride a lot more, because I’m surrounded by people who have the same desires.

The only way I can fail is if I were to throw in the towel. I didn’t then and I won’t now.

So ask yourself, how bad do you want to succeed and what are you willing to do to achieve your goals?

For me, it was simple: I took a chance. Will you?

Sarah